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6 MAY 2023 - 10 JUNE 2023
Pilot Gallery is happy to announce Gözde Mimiko Türkkan’s first solo show at its exhibition space titled “Waves of Intention” between May 6 - June 10.
Türkkan's latest bodies of work, which she has been establishing since Innergy/Watery Incantations (2021), have shifted their focus from a human body-centric approach to employing various bodies to meditate on the complicated entanglement of human and non-human interactions. Rather than becoming an outsider to nature, Türkkan's practice emphasizes immersing oneself in the flow of nature. Her later pieces of work have been focused on water bodies and the movement of energy in these bodies; the waves, in her endeavour to observe this flow and find ways to understand and transform this energy into “innergy”. As the waves propagate in many forms and lengths, Türkkan thinks about the possibility of "intentions" spreading like waves and the potential outcomes of the intentions.
Rather than deconstructing the continuous dichotomy between the human and non-human, Türkkan reflects on this entanglement of relationships by investigating the nature of waves, the waves that surround us, the earth and every animate and inanimate being the same, and begins her narrative with a non-construction of the dichotomy. The material waves and non-material waves alike, carrying beings within and without the flow; the waves that happen in the water bodies, migration waves, waves of pandemics, seismic waves, light waves, electromagnetic waves, the energy is transferred in space and time, regardless of the nature of the being. Of the various types, the waves that occur in the water bodies are the ones which can be observed in their momentum, with the
naked eye in their purest forms. The wave, which is simply an energy transfer and flow, transports
the energy it receives from wind and weather events in the open seas in the ocean, from where it is
generated to beaches where the seabed rises and 'breaks'.
Waves of Intention (2023) question the act and the capabilities of “intention”, which is a form of the
electromagnetic wave; the act of creating an intention, letting it into the flow of things to the universe.
Untangling the red string into the waves, Türkkan references a shamanic tradition that she
experienced from her grandmother; the way she would untangle the ball of yarn into the sea during
sunrise, along with the intention of untangling the fates of the person she was intending for. While
the motive behind the action is a positive one, the consequences for marine ecology and the damage
to oceanic life are overlooked. The accompanying speech is dubbed through an AI text-to-speech
app.
The 10-meter Wave offers another way of experiencing the waves with the body, drawing and
redrawing them thousands of times. As the waves come and go, their beings interweave one
another, impossible to observe in their singularity. The new paper-based works accompanying The
10-meter Wave also present Türkkan’s meditative texts in a new medium along the way, where her
speeches accompanying her video work find a new home to be explored, observed and read.
Dumping Waves (2023) approaches the world, situations and phenomena from an ecological
perspective through waves and surfing; In the world of surfing, different types of waves have been
identified and named, each carrying a specific meaning. Türkkan's take on "Dumping Waves" seeks
to offer the traditional definition of waves hitting the shore violently by juxtaposing this definition
with a contemporary issue: the abundance of plastic waste and bottles polluting the oceans, which
are now dumping their energy onto the shores.
Earth Fight (2022) is a take on the damages that arise as a result of natural processes, human error,
or overly intrusive interventions made in an effort to repair the damage of floods, landslides, and
forest fires… Türkkan focuses on an individual who attempts to position oneself solely at the centre
of the flow of which they are a part; the damage of nature reflects on the individual, and with each
punch conducted, the pain is shared.
Innergy/Watery Incantations (2021) centres on the notion of flow and its realised body, the water
bodies. Through a series of images captured in six different countries over three years, Türkkan
explores the boundaries, depth, memory, and change of consciousness that exist in the relationship
between humans and water in an attempt to become one with water; the boundaries between the
water bodies and human bodies are blurred within the flow as water makes up %60 of the human
bodies. The sound accompanying the scenes serves to enhance this exploration, immersing the
viewer in a state of deep contemplation.
Gözde Mimiko Türkkan’s “Waves of Intention” can be seen in Pilot Gallery until June 10.